}

Wednesday, February 3, 2010

Black Francis New Release, NonStopErotik, Set for March Release

Pixies and Grand Duchy frontman Black Francis (or Frank Black or Charles Michael Kittridge Thompson IV when he's feeling most jaunty) has gone from songs about UFOs, to songs of love to most currently, songs of sex and his love for the vagin, exhibitionism, and...The Flying Burritto Brothers? Out 3/30, NonStopErotik features 10 original songs plus most interestingly, a cover of the Flying Burrito Brothers track "Wheels" from their Gilded Palace of Sin record. "I am Man Ray and I want you and to be all the way inside you, the cameras whirring as we put some elbow grease into the scene, the audience watching us in the dark," says Black. Next for Frank Black: spoken word porn?

I finally came into possession of an old guitar someone had given me at a nightclub in San Francisco awhile back; Eric Drew Feldman had been holding it for me there on Haight Street. He convinced me that it looked cool (it was black) and had been given in the spirit of benevolence. Every time I picked it up a nice chord came out and so I lovingly cleaned it with red wine in the dressing room the following night and began to write. I told the tour manager that we would drive in my Cadillac directly to a recording studio in Los Angeles (and could he book one, oh, and a rhythm section, too?) from the gig in San Luis Obispo which would put us at the studio at about 4am. It all happened according to plan and we cut the initial tracks there in the wee hours over a few days, and then moved on to an equally haunted studio in London and Eric Drew Feldman joined us there and we finished the record in St. John's Wood. Like I said the studio was haunted and I wrote many a couplet by candlelight in the studio accommodation, slept very little, and only felt the need to get the fuck out of there fast on the last night. The spirits had not ever bothered me, other than low drama moral support, but I was informed that they had heard enough and it was time to move on; plus I had a gig in Ireland.

When I was a boy the plant we boys called a fern was code for vagina, and to this day I love fern plants. In my heart the vagina is almost everything, and almost everything else could be summed up in what cock and seed have to offer; and everything else? The love of the father, dead or alive, the pain of too much pleasure, till death do us part, the voice of another song man from the other side, with or without God, Teri and the Possibilities, where ever you may be, the smell of sex in the air, seduced, slain, on my knees in prayer, sucking at the only thing that matters, my own personal Meret Oppenheim, I am Man Ray and I want you and to be all the way inside you, the cameras whirring as we put some elbow grease into the scene, the audience watching us in the dark.

Black Francis
January 2010, Central Oregon



Tracklist for NonStopErotik
1. Lake of Sin
2. O My Tidy Sum
3. Rabbits
4. Wheels
5. Dead Man’s Curve
6. Corrina
7. Six Legged Man
8. Wild Son
9. When I Go Down On You
10. Nonstoperotik
11. Cinema Star

Tuesday, February 2, 2010

Drive By Truckers Announce Spring Tour Dates

It's going to be a busy spring for Drive By Truckers. Barr Weissman's documentary on the DBTs, "The Secret to a Happy Ending," has been showing, and their newest record titled The Big To-Do is out 3/16. Today they announced tour dates up through May that include some amazing opening acts like Langhorne Slim and Lucero. Tickets went onsale today at 10 am for the 3/12-4/30 dates. (Password is "TheBigToDo".)

Lead singer/guitarist Patterson Hood will also play a solo date for his Annual Benefit Guitar Pull for the Robert Osborne Classic Film Festival on 2/24 at the 40 Watt in Athens, GA. Friends scheduled to join Hood include Don Chambers, Daniel Hutchens, Dave Marr, William Tonks, David Barbe, John Neffand Brad Morgan

Drive By Truckers Spring 2010 Tour Dates
Feb 11, Greenville, SC: Handlebar w/ Pride Parade
Feb 12-13, Raleigh, NC: Lincoln Theater (Evening with...)
Feb 14, Knoxville, TN: Bijou Theater w/ Sons of Bill
Feb 25, Charlotte, NC: Neighborhood Theatre w/ Sons of Bill
Feb 26-27, Charlottesville, VA: Jefferson Theatre w/ David Barbe & the Quick Hooks
Mar 05, Wilmington NC: Greenfield Lake Ampitheater w/ David Barbe & the Quick Hooks
Mar 06, Augusta GA: Sky City w/ David Barbe & the Quick Hooks
Mar 12-13, Atlanta GA: Variety Playhouse w/ David Barbe & the Quick Hooks
Mar 17, Braunfels TX: Gruene Hall w/ Justin Jones
Mar 18, Austin TX: SXSW
Mar 19-20, New Orleans LA: Tipitinas support TBA
Apr 01, New York NY: Webster Hall w/ Langhorne Slim
Apr 02, Boston MA: House of Blues w/ Lucero and Langhorne Slim
Apr 03, Philadelphia PA: Electric Factory w/ Lucero and Langhorne Slim
Apr 06-7, Toronto Canada: Lee's Palace w/ Langhorne Slim
Apr 08, Detroit MI: St. Andrews Hall w/ Langhorne Slim
Apr 09, Chicago IL: The Vic Theatre w/ Langhorne Slim
Apr 10, Lexington KY: Buster's Billiards and Backroom w/ Langhorne Slim
Apr 11, Cleveland OH: Beachland Ballroom and Tavern w/ Langhorne Slim
Apr 13, Pittsburgh PA: Mr Smalls w/ Langhorne Slim
Apr 14, Towson MD: Recher Theatre w/ Langhorne Slim
Apr 15, Norfolk VA: The Norva w/ Langhorne Slim
Apr 16-17, Asheville NC: The Orange Peel w/ Langhorne Slim
Apr 30, Nashville TN: Cannery Ballroom w/ TBA
May 07, Los Angeles CA: Avalon w/ The Henry Clay People
May 08, San Francisco CA: The Fillmore Auditorium w/ The Henry Clay People











"The Secret to a Happy Ending" Screenings
Feb 5, Silver Spring, MD: AFI Silver Theatre (9:15 showing sold out; 12:00 am show available here)
Feb 28, San Francisco, CA: NOISEPOP FILM FESTIVAL (here)

Shane MacGowan, Mick Jones, Nick Cave, and Chrisse Hynde, Among Others, Releasing Benefit Single for Haiti



Pogues frontman Shane MacGowan and Mick Jones of The Clash have organized a group of musicians to cover the Screamin Jay Hawkins song "I Put a Spell On You" as a benefit single for Haitian relief. Sort of a punk "alternative" to Simon Cowell, who is also putting out a benefit single, as is Quincy Jones' remake of "We Are the World," Jones and MacGowan brought in other musicians, such as Chrissie Hynde and Sex Pistols Glen Matlock among others, with Nick Cave as producer.

The single is set for release in late February. Money raised is going to Concern Worldwide, an Irish-based international humanitarian organisation, which has been working in Haiti for more than 16 years.

Read more: Shane MacGowan, Nick Cave and Johnny Depp team up for Haiti single

Friday, January 29, 2010

Lights That Flash in the Evening: Locksley @ Iota, Arlington, VA (1-21-2010)



When I last saw those Brooklyn Brit-poppers Locksley around here, it was last year and they were the openers for one of the originators of Brit-pop, Ray Davies at the 930 Club. While Locksley's stage show wasn't sedate, it was totally nothing like what they put forth last week at Iota. They were good at the 930, make no mistake. But a year or so of playing out in support of their first release, Don't Make Me Wait has tightened up this band as a collective musically, as well as made them comfortable enough to let loose and show an audience visually how much they enjoy doing what they do.





Playing for about 90 minutes, Locksley's set included most of the tracks from their upcoming release, Be in Love (out 2/23), a lot of Don't Make Me Wait, and a William Bell cover called "There's a Love," they had the audience moving about as much as they were onstage. With all the moving and jumping about onstage and off, I was surprised the Iota's bar glasses weren't rattling.


I liked this show so much in fact, I was bummed to hear they're heading to Japan and not Austin for SXSW in March so I could see them again. With all that Austin has to offer in terms of new music during SX, that's saying a whole lot.




Locksley's music isn't complicated and layered, it's not political and statement-filled, but that doesn't mean there isn't a bunch going on musically. I think with all the technology that bands have access to and the ways one can tinker with music these days, the basics of rock music are forgotten sometimes. And there's real beauty in those three chords and the truth. So it's great to see a band like Locksley see that and do it well, while invigorating their audience to feel that way too.

(See the rest of the photos from the show here)


Give a Listen: The Whip-Locksley from Be In Love (buy)

Thursday, January 28, 2010

Celebrate the New Year! The Free Music and Clothing Contest from the Happy Hollows!



"We have finished a difficult year. We have come through a difficult decade. But a new year has come," said President Obama last night in his SOTU speech. And what better way to start off this new shiny year than with free stuff!

One of our Silver Lake favorites, The Happy Hollows started off their new year by putting out their very first full-length record Spells this week. Stripped down and fuzzy guitared up, it's the roar of garagey-shoegaze coupled with the lithesome rock star voice of lead singer/guitarist Sarah Negahdari. And it's good. Real good. Like that first sip of cold beer on a hot day at the beach good. Even that God-on-high Pitchfork gave Spells a 7.2, and Pitchfork doesn't think there are any good indie upstart bands in Los Angeles. Who knew?!

We here knew, and in honor of the Spells release, we are giving away a package of Happy Hollows goodies to celebrate. The package contains your very own copy of Spells on CD and a copy on 7" vinyl, a sticker, and a band t-shirt. Drop us an email at betweenloveandlike at gmail dot com (or just click here) and tell us the latest thing that put you in a "spell." The winner will be announced next Friday.

Give a Listen: Faces-The Happy Hollows

"High Wire," another song from Spells, is also the song you hear on the latest Samsung commercial (!!!).

Tuesday, January 26, 2010

Wilco Will Love You & Haiti, Baby: Wilco Giving Away Concert MP3s for Haiti Donation



Entertainment Weekly of all things reported yesterday that Wilco is giving away recordings of two shows from last year. One of the two includes last year's show in Coney Island, NYC, which had guest appearances Feist, Yo La Tengo, and Ed Droste from Grizzly Bear. The other is from last November in London.

The show downloads are free but the band is requesting that fans make a donation for Haitain relief efforts to Oxfam (here) or Doctors Without Borders (here). "In exchange for the free music, we ask that you make a minimum donation of $15 to one of the organizations listed if you are able." Considering how completely mind-blowing the Coney Island show was said to be, $15 is well worth it for that show alone. So please donate what you can.

Wilco Shows for Haiti Donations

Wilco: Keyspan Park, Brooklyn, NY (07-13-09)

-Donate to Oxfam here
-Donate to Doctors Without Borders here

Wilco: HMV Forum, London, UK (11-04-09)

Monday, January 25, 2010

Seen Your Video: "Hard Times Come Again No More" by Mary J. Blige on Hope for Haiti Benefit

I feel silly even writing what I'm about to write, but the beauty of a voice carrying a piece of music made me weep this weekend. Sure, music is a big part of my life and sure, I've been "moved" by music, like getting goosebumps or not breathing for a second when a song or a lyric has especially hit home. But never, ever, have I been moved to tears by the beauty of a voice. And oddly, it happened by way of an artist whose music I never follow-Mary J Blige.

Though I'm not a fan of her music, I have always thought that Blige had an amazing voice; how could you not? The power and emotion that she employs makes a listener feel like you and Mary are having a heart-to-heart, like she's really feeling everything she's singing. Blige also doesn't seem to employ vocal gymnastics and go all over a register to be impressive (I'm looking at you Beyonce).

But this weekend I was watching clips from Friday's Hope for Haiti Benefit broadcast and I randomly clicked on hers. The waterworks weren't immediate, but about half way through her version of "Hard Times Come Again No More," I felt myself getting choked up. The song, written in 1854 by Stephen Foster, is a song of endurance, of sympathy, and of strength of character. The song has been done wonderfully by a good many others, but the stunning magnificence and grace that is Blige's voice, coupled with a song about perseverance and appreciation of life itself, just put it over the edge. It seemed so silly at first, having tears fall over a singer's voice. But it gave me a great reminder that music can (and has) moved people to move proverbial mountains, as well as make one's heart sing if you just listen.

Let us pause in life's pleasures and count its many tears,
While we all sup sorrow with the poor;
There's a song that will linger forever in our ears;
Oh Hard times come again no more.

Tis the song, the sigh of the weary,
Hard Times, hard times, come again no more
Many days you have lingered around my cabin door;
Oh hard times come again no more.
While we seek mirth and beauty and music light and gay,
There are frail forms fainting at the door;
Though their voices are silent, their pleading looks will say
Oh hard times come again no more.

There's a pale drooping maiden who toils her life away,
With a worn heart whose better days are o'er:
Though her voice would be merry, 'tis sighing all the day,
Oh hard times come again no more.

Tis a sigh that is wafted across the troubled wave,
Tis a wail that is heard upon the shore
Tis a dirge that is murmured around the lowly grave
Oh hard times come again no more.


Saturday, January 23, 2010

Seen Your Video: Justin Timberlake/Mark Morris Cover "Hallelujah" @ Hope for Haiti Benefit

It's easy to rag on Justin Timberlake: the denim tux he wore with Brittney, the hair, the boy-band heritage. One thing you can't rag on him for though is his voice: this man can sing. I knew The Hope for Haiti Benefit was happening but apparently, I'd missed the "when" (it was last night). Timberlake and Mark Morris covered Leonard Cohen's "Hallelujah“ and while everyone and his mom seems to have covered this song, a select few (Cohen, Jeff Buckley) do it with the justice it deserves. This Timberlake/Morris version should now be added to that "few" column. It's mindblowingly beautiful.

The version can also be purchased on iTunes.

Thursday, January 21, 2010

From the Completely Forgot to Post Department...Happy Hollows Rock Samsung

Isn't it great when you discover great things happening for great people?

A little while back, I was on the phone with the tv on, the sound low. A Samsung commercial came on...and I happened to look up right when it showed a girl flop down on a couch and start texting. I thought, "Wow that girl looks a lot like Sarah Negahdari from The Happy Hollows," which is a great Silver Lake band I've long followed. I literally stopped my conversation to pay attention to check and saw that it was indeed, The Happy Hollows rocking a Samsung commercial!



Because rock they do. If you ever ever ever get the chance to see the Hollows live, you must. As the band's lead singer, Negahdari does a stellar job of beckoning you in to their energetic whirlwind of a live show. She also puts to rest the misconception that girls can't kick ass as a band's front person or bewitch you with into paying attention with something other than sexual innuendo. She's got pipes, she can play, and she often wears rockin kneesocks....plus she's incredibly nice. That, plus the awesome combo of sounds by bass guitarist Charley Mahoney and drummer Chris Hernandez, will make you walk gleefully into The Happy Hollows whirlwind and love every minute you're there.

Read our review of The Hollows Red & The Black show here in 2008.

Franz Nicolay Has Left The Hold Steady

"Le' sad" will be what Hold Steady fans are feeling all over the world today... Pitchfork announced today that Hold Steady keyboardist/accordian player/swank dresser Franz Nicolay has left the band.

Hold Steady keyboardist Franz Nicolay, who has been a member of the band ever since sophomore album Separation Sunday, has left the group. In a statement on his website, Nicolay writes, "You should know: I've left the Hold Steady. I told the band I'd be leaving in early September, played my last show with them in Minneapolis around Thanksgiving, and dotted the t's and crossed the i's this week. Five years seemed like a nice round number. Thanks to everyone who was a part of the experience, especially the Unified Scene, who are nice folks."

For Hold Steady fans, this is pretty rough news. Nicolay's old-school bash-it-out piano style has become a huge part of the band, filling out their sound and helping to transform it from an indie allusion at 70s arena rock into something that could compete with the real thing. Also hugely important: Nicolay's backing vocals, which have added plenty of soar to the choruses of songs like "Massive Nights" and "Stuck Between Stations". Nicolay's also the most instantly recognizable member of the band, thanks to his natty fashion sense and pointy mustache. And his constant joy onstage was a thing to behold. He will not easily be replaced.

But Nicolay's got plenty going on for himself, too. Last year, he released the solo album Major General, the 10" single "St. Sebastian of the Short Stage", and the short story collection Complicated Gardening Techniques is out in February. He's also a member of the New York gypsy punk band Guignol, and as he reports in his leaving-the-band statement, he's "producing a record from Brooklyn's The Debutante Hour." We haven't seen the last of that mustache.